William C. Mellor
1903-06-29
Missouri, USA
CAMERA
Biography
William C. Mellor was an American cinematographer, who's career in filmmaking spanned almost three decades. He was nominated for 3 Oscars throughout his career and won 2.
Best known for:
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Filmography:
Love Me Tonight (1932)
WORK AS:Camera Operator
One Hour with You (1932)
WORK AS:Camera Operator
This Is the Night (1932)
WORK AS:Camera Operator
Cleopatra (1934)
WORK AS:Camera Operator
Wagon Wheels (1934)
WORK AS:Director of Photography
Enter Madame (1935)
WORK AS:Director of Photography
Car 99 (1935)
WORK AS:Director of Photography
Without Regret (1935)
WORK AS:Director of Photography
Woman Trap (1936)
WORK AS:Director of Photography
A Son Comes Home (1936)
WORK AS:Cinematography
The Sky Parade (1936)
WORK AS:Director of Photography
Bulldog Drummond Comes Back (1937)
WORK AS:Director of Photography
Make Way for Tomorrow (1937)
WORK AS:Director of Photography
Thrill of a Lifetime (1937)
WORK AS:Director of Photography
Exclusive (1937)
WORK AS:Director of Photography
Bulldog Drummond in Africa (1938)
WORK AS:Director of Photography
Ride a Crooked Mile (1938)
WORK AS:Director of Photography
Romance in the Dark (1938)
WORK AS:Director of Photography
Disputed Passage (1939)
WORK AS:Director of Photography
The Magnificent Fraud (1939)
WORK AS:Director of Photography
Hotel Imperial (1939)
WORK AS:Director of Photography
$1,000 a Touchdown (1939)
WORK AS:Director of Photography
Road to Singapore (1940)
WORK AS:Director of Photography
The Great McGinty (1940)
WORK AS:Director of Photography
Typhoon (1940)
WORK AS:Director of Photography
Moon Over Burma (1940)
WORK AS:Director of Photography
Birth of the Blues (1941)
WORK AS:Director of Photography
The Great Man's Lady (1941)
WORK AS:Director of Photography
Road to Morocco (1942)
WORK AS:Director of Photography
Wake Island (1942)
WORK AS:Director of Photography
The Fleet's In (1942)
WORK AS:Director of Photography
My Favorite Blonde (1942)
WORK AS:Director of Photography
Beyond the Blue Horizon (1942)
WORK AS:Director of Photography
Commandos Strike at Dawn (1942)
WORK AS:Director of Photography
Abie's Irish Rose (1946)
WORK AS:Director of Photography
Blaze of Noon (1947)
WORK AS:Director of Photography
Texas, Brooklyn & Heaven (1948)
WORK AS:Director of Photography
Man-Eater of Kumaon (1948)
WORK AS:Director of Photography
Love Happy (1949)
WORK AS:Director of Photography
Too Late for Tears (1949)
WORK AS:Director of Photography
The Next Voice You Hear... (1950)
WORK AS:Director of Photography
A Place in the Sun (1951)
WORK AS:Director of Photography
Across the Wide Missouri (1951)
WORK AS:Director of Photography
The Unknown Man (1951)
WORK AS:Director of Photography
Westward the Women (1951)
WORK AS:Director of Photography
Soldiers Three (1951)
WORK AS:Director of Photography
Carbine Williams (1952)
WORK AS:Cinematography
Skirts Ahoy! (1952)
WORK AS:Director of Photography
My Man and I (1952)
WORK AS:Director of Photography
The Naked Spur (1953)
WORK AS:Director of Photography
Big Leaguer (1953)
WORK AS:Director of Photography
Give a Girl a Break (1953)
WORK AS:Director of Photography
The Affairs of Dobie Gillis (1953)
WORK AS:Director of Photography
Alaska Seas (1954)
WORK AS:Director of Photography
The Last Frontier (1955)
WORK AS:Director of Photography
Bad Day at Black Rock (1955)
WORK AS:Director of Photography
Giant (1956)
WORK AS:Director of Photography
Back from Eternity (1956)
WORK AS:Director of Photography
Johnny Concho (1956)
WORK AS:Director of Photography
Love in the Afternoon (1957)
WORK AS:Director of Photography
Peyton Place (1957)
WORK AS:Director of Photography
The Diary of Anne Frank (1959)
WORK AS:Director of Photography
Compulsion (1959)
WORK AS:Director of Photography
The Best of Everything (1959)
WORK AS:Director of Photography
Woman Obsessed (1959)
WORK AS:Director of Photography
Crack in the Mirror (1960)
WORK AS:Director of Photography
Wild in the Country (1961)
WORK AS:Director of Photography
The Big Gamble (1961)
WORK AS:Director of Photography
State Fair (1962)
WORK AS:Director of Photography
Mr. Hobbs Takes a Vacation (1962)
WORK AS:Director of Photography
The Greatest Story Ever Told (1965)
WORK AS:Director of Photography
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