William A. Sickner
1890-12-23
Rochester, New York, USA
CAMERA
Best known for:
Filmography:
The Call of the Savage (1935)
WORK AS:Cinematography
Stormy (1935)
WORK AS:Director of Photography
The Roaring West (1935)
WORK AS:Cinematography
The Oregon Trail (1939)
WORK AS:Director of Photography
Flash Gordon Conquers the Universe (1940)
WORK AS:Director of Photography
The Green Hornet (1940)
WORK AS:Director of Photography
Winners of the West (1940)
WORK AS:Director of Photography
Riders of Pasco Basin (1940)
WORK AS:Director of Photography
Sky Raiders (1941)
WORK AS:Director of Photography
Sea Raiders (1941)
WORK AS:Director of Photography
Riders of Death Valley (1941)
WORK AS:Director of Photography
Danger in the Pacific (1942)
WORK AS:Director of Photography
The Old Chisholm Trail (1942)
WORK AS:Director of Photography
The Lone Star Trail (1943)
WORK AS:Director of Photography
Adventures of the Flying Cadets (1943)
WORK AS:Director of Photography
Keep 'Em Slugging (1943)
WORK AS:Director of Photography
Arizona Trail (1943)
WORK AS:Director of Photography
Don Winslow of the Coast Guard (1943)
WORK AS:Director of Photography
The Mummy's Ghost (1944)
WORK AS:Director of Photography
The Great Alaskan Mystery (1944)
WORK AS:Director of Photography
Oklahoma Raiders (1944)
WORK AS:Director of Photography
Trigger Trail (1944)
WORK AS:Director of Photography
The Falcon in San Francisco (1945)
WORK AS:Director of Photography
Jungle Queen (1945)
WORK AS:Director of Photography
The Master Key (1945)
WORK AS:Director of Photography
South of the Rio Grande (1945)
WORK AS:Director of Photography
Lonesome Trail (1945)
WORK AS:Director of Photography
Riders of the Dawn (1945)
WORK AS:Director of Photography
Dangerous Money (1946)
WORK AS:Director of Photography
Dark Alibi (1946)
WORK AS:Director of Photography
Don't Gamble with Strangers (1946)
WORK AS:Director of Photography
Bowery Bombshell (1946)
WORK AS:Director of Photography
Blonde Savage (1947)
WORK AS:Director of Photography
The Chinese Ring (1947)
WORK AS:Director of Photography
Louisiana (1947)
WORK AS:Director of Photography
Joe Palooka in the Knockout (1947)
WORK AS:Director of Photography
Docks of New Orleans (1948)
WORK AS:Director of Photography
The Golden Eye (1948)
WORK AS:Director of Photography
The Shanghai Chest (1948)
WORK AS:Director of Photography
The Feathered Serpent (1948)
WORK AS:Director of Photography
Kidnapped (1948)
WORK AS:Cinematography
Belle Starr's Daughter (1948)
WORK AS:Director of Photography
Joe Palooka in Fighting Mad (1948)
WORK AS:Director of Photography
Joe Palooka in Winner Take All (1948)
WORK AS:Director of Photography
Sky Dragon (1949)
WORK AS:Director of Photography
Bomba, the Jungle Boy (1949)
WORK AS:Director of Photography
Bomba on Panther Island (1949)
WORK AS:Director of Photography
Hold That Baby! (1949)
WORK AS:Director of Photography
Fighting Fools (1949)
WORK AS:Director of Photography
Tuna Clipper (1949)
WORK AS:Director of Photography
Black Midnight (1949)
WORK AS:Director of Photography
The Phantom Creeps (1949)
WORK AS:Director of Photography
Leave It to Henry (1949)
WORK AS:Director of Photography
Joe Palooka in the Counterpunch (1949)
WORK AS:Director of Photography
Killer Shark (1950)
WORK AS:Director of Photography
Bomba and the Hidden City (1950)
WORK AS:Director of Photography
Sierra Passage (1950)
WORK AS:Cinematography
Call of the Klondike (1950)
WORK AS:Director of Photography
Snow Dog (1950)
WORK AS:Director of Photography
Father Makes Good (1950)
WORK AS:Cinematography
Big Timber (1950)
WORK AS:Director of Photography
Elephant Stampede (1951)
WORK AS:Director of Photography
The Lion Hunters (1951)
WORK AS:Director of Photography
Yukon Manhunt (1951)
WORK AS:Director of Photography
Rhythm Inn (1951)
WORK AS:Cinematography
Joe Palooka in Triple Cross (1951)
WORK AS:Director of Photography
Father Takes the Air (1951)
WORK AS:Cinematography
The Steel Fist (1952)
WORK AS:Director of Photography
Tangier Incident (1953)
WORK AS:Cinematography
Loophole (1954)
WORK AS:Director of Photography
Cry Vengeance (1954)
WORK AS:Director of Photography
Finger Man (1955)
WORK AS:Director of Photography
Leave It to Beaver (1957)
WORK AS:Director of Photography
The Undead (1957)
WORK AS:Director of Photography